WebSchumann's closest approach to a definite symbolic presence in Carnaval emerges in the paired pieces named for his dual personae, Eusebius the dreamer and Florestan the man of action. “Definite” in this context, however, is a decidedly relative term. WebCarnaval, Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled Scènes mignonnes sur quatre notes (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent.Schumann gives musical expression to himself, his friends and colleagues, and characters from …
Robert Goldsand Plays Schumann Carnaval, Op.9 ... - Apple Music
WebEusebius is the name that Robert Schumann gave to the calm, reflective side of his personality, as opposed to the more exuberant Florestan. While working as a music … WebJun 8, 2011 · Florestan and Eusebius: These are two characters Schumann invented who appear in his criticism and in the titles to some of his character pieces. Florestan (named after the hero in Beethoven’s opera, Fidelio ) represents the impulsive, fiery, quick-witted side of Schumann’s personality, while Eusebius, named after a fourth-century abbot … notebook open clipart
Rethinking Schumann
WebThe “ Florestan ” of the “ Scènes Mignonnes ” ; “ Chiara” is Clara herself; “Eusebius” was Robert Schumann.↩ See Dwight’s Journal of Music, Vol. VIII. No. 3. ↩ WebAnd he called them Eusebius and Florestan. Eusebius: a melancholic, introverted poetic dreamer. ... ♪♪ That is from a piece called 'Florestan' from Schumann's piano suite … WebCarnaval, Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled Scènes mignonnes sur quatre notes (Little Scenes on Four Notes). It consists of … how to set my garage door opener